Monthly Archives: September 2016

A Design for All Times

Contributed by Curtis Hawley

“I have all my life been considering distant effects and always sacrificing immediate success and applause to that of the future.”  Frederick Law Olmsted

A Clearing in the DistanceEarlier this year, I had the good fortune of running into a great read, A Clearing in the Distance: Frederick Law Olmsted and America in the Nineteenth Century by Witold Rybczynski. Being new to the horticultural field, I’ve been exposed to a lot of new and exciting things, and while working in and around Greater Boston, one can’t go too long without seeing the name Olmsted. A colleague enlightened me to the fact that Frederick Law Olmsted designed not only Boston’s Emerald Necklace, but also New York City’s Central Park. I immediately thought, “That’s quite an accomplishment!”, but what was more impressive is that those accomplishments turned out to be just a small part of quite a varied and accomplished career.

I think we all have a tendency to examine our own lives when we read about another’s life. Like me, I appreciated that Olmsted took his time early on in his career to feel out exactly what his passions and interests were. By taking his time, I mean he traveled the world, started a farm, explored the master gardens of Europe, authored nationwide publications and literature, was a strong voice against slavery and was the precursor to the American Red Cross during the Civil War, amongst other achievements.Emerald Necklace

For me, one of the biggest takeaways from his life and career was his propensity for long term planning. This skill exemplified his intelligence but much more so his immense generosity. To plan something so lasting as the Buffalo, New York Park System or The Biltmore Estate is a deliberate gift to future generations, one that he knowingly wouldn’t be able to fully appreciate in his own time. Imagine a painter or musician crafting a fresco or ballad but never being able to see it or listen to it? What vision indeed!

Visiting and working in our client’s gardens is a truly great opportunity and one that I genuinely enjoy. Installing new additions to a garden, pruning and shaping an ornamental tree, or even just editing a garden bed can have quite the long term impact on a garden. Seeing now that I have the ability to leave a more lasting impression than I might have initially realized only further enhances that experience.

What Inspires a Gardener?

Contributed by Christie Dustman

One of the hardest “titles” to call myself is an Artist.  I struggle to feel like what I do is creative enough, interesting enough, hard enough or just plain “artistic.” I hold artistry as the pinnacle of talents, along with diplomacy and social grace. Sometimes I say things like, “Oh, anyone could do this,” when speaking about my design work and encounter looks of disbelief.

I found myself on the other side of this experience two weeks ago when I led a group of 120 avid gardeners, members of the American Conifer Society, across Southwestern New Hampshire and Southeastern Vermont to tour four personal gardens. Each garden was unique; it was clear that each of the owners poured their personal inspiration and artistry into their beautiful properties, and each of them was so modest about what they had created.

It is this inability of the Artist to see their creations objectively that is so curious to me.  Perhaps when a garden grows out of love of plants, love of land, and love of combining the land, plants, stones, water and wood, that it feels more like a fulfillment of a deep need rather than an artistic endeavor. For each of these spectacular gardens, the gardeners who created them made them because they had to—they needed to—and they were so grateful to be appreciated by the wondrous eyes of us, the visitors. Perhaps we allowed them to see themselves as artists for a moment.

Enjoy these photos of the gardens…

Grout Hill Farm is a 300-acre property of farm land and gardens which owners Kris Fenderson & Alston Barrett have cultivated for forty-five years.

The barn at Grout Hill Farm

                         The Barn at Grout Hill Farm

Owned by Michael and Kathy Nerrie, the mission of Distant Hills Garden is to connect people to the natural world by opening their 58 acres of gardens, forest, fields and wetlands, including a floating ‘fens’ Cranberry Bog, to the public each month.

Water feature at Distant Hills Farm

                   Water feature at Distant Hills Farm

Inspired Garden, the private garden of Marc Hudson, garden designer and owner of a specialty nursery by the same name, was started by his father. The newer areas of the garden boast richly planted garden beds, a waterfall and a parterre garden.

Inspired Garden

                    Marc Hudson’s “Inspired Garden”

Woodland Farms, Susan and Rick Richter’s gardens-in-progress have been evolving for ten years around an oak-and-stone dwelling built to suggest a medieval Anglo-Norman house on 300 acres in Vermont. Exquisitely detailed gardens, buildings and stone complete the design of this small manor farm.

Woodland Farms

             Stone work by Dan Snow at Woodland Farms